The Foundry Mari 2.0v1
MARI is the most fluid and natural way to paint in 3D. It makes life simple for artists by allowing them to paint directly onto 3D models with more time for painting and less time managing technical issues. Designed to meet the needs of even the most challenging VFX projects, MARI is capable of handling super high-resolution textures and millions of polygons without slowing artists down. MARI interacts well with other pipeline tools and with industry standard Python scripting and a customisable UI artists can work the way they want to.

MARI was the primary 3D paint tool used on 9 of the 10 features shortlisted in the category of Visual Effects in the 2013 Oscars. These include: The Hobbit: An Unexpected Journey, The Avengers and Prometheus.

The most fluid and natural way to paint in 3D

MARI makes life simple for artists by allowing them to paint directly onto 3D models, with more time for painting and less time managing technical issues.

What's new in 2.0?

With a new state of the art layer system, MARI is easier to learn and use than ever before.

A familiar way of working

Our development team have spent years talking to, and learning from, digital painters to make sure its a familiar painting experience for the many artists used to working with layer based software.

The new layer system has all the features artists expect from the most advanced layer based workflows available today:

Every channel is now a full, non-destructive, layer stack.

Shaders now use layered channels to control every aspect of the surface look including diffuse, displacement and specularity.

Fully updated .PSD support means MARI 2.0 works seamlessly with Adobe Photoshop and other paint software that reads industry standard .PSD files.

All the control and flexibility artists know and love from 2D painting applications is now available in full 3D, directly on the model.
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